![]() It just so happens that I got a GH5 and am now intensely interested in editing the camera's 10-bit 4:2:2 files. With a fast-paced schedule, you often can’t do it alone, and a tool like DaVinci Resolve Studio only strengthens our ability to include multiple creative voices on any given project.I know that 10-bit 4:2:2 video from the Panasonic GH5 camera and its interoperablity with VideoStudio has been discussed some. ![]() Each person brings something new to the table and this is something everyone should strive for in a creative setting. ![]() We’re constantly discovering new features, new tools, and more efficient workflows in DaVinci Resolve Studio that enable our post-production workflow to be more streamlined than ever before.Ĭorridor is unique because it is a collaborative workspace. This has saved us from late nights on multiple occasions! Gone are the days of exporting sequences and the headache of crashing timelines. For instance, if we’re in a crunch, a secondary editor can hop into the timeline and work on color correction while the primary editor continues to edit. The ability to have two or more editors working out of the same project, simultaneously towards the same goal, is a game changer for us. The collaborative editing tools within DaVinci Resolve Studio makes this easier than ever before. We’ve had times when an editor is working on a sequence that is still being cut in order to color grade. Sharing Work Between Team Membersīecause of our team workflow and chaotic, ever-changing schedules, it’s imperative that each editor can maintain fluidity and easily access any given timeline or project when needed. Often, a video passes through the hands of multiple editors so a program that facilitates easy collaboration is essential. ![]() It’s extremely important that, with our tight release schedule (no more than two weeks on any video from start to finish), we are able to put a video through post-production as efficiently as possible to allow time for revisions, reshoots, and collaboration with the overall team. The entirety of the Corridor Crew channel content is collaboratively edited, colored, and mixed within DaVinci Resolve Studio. We film with an entire gamut of camera equipment that ranges from GoPros and DSLRs to cinema cameras like the Pocket Cinema Camera 4K. We hope to make content that our current audience will love and also create content that resonates with new audiences, who may not know they have an interest in the themes we offer on our channels. Creating Video for Millions of ViewersĬreatively, we strive to both entertain and educate our audience focusing on the world of filmmaking, VFX, visual storytelling, and cutting-edge tech. Later, I was hired as a full-time shooter/editor until VFX Artists React was created, and I moved into the showrunner role to focus the newly rebranded “Corridor Crew” channel into its current more focused “edutainment”- based direction. I became involved with Corridor early on in 2011. #Davinci resolve crashing constantly plusI am the showrunner of the Corridor Crew channel, and my responsibilities cover development and writing of concepts, filming, editing, and coordinating the editing of content simultaneously over multiple weeks with five plus artists. New weekly content on Corridor Crew alone garners 15 million monthly views, with a subscriber base of almost six million people and rising, and we don’t see it slowing down any time soon. We cover filmmaking, VFX, new creative technologies and pop culture with a unique twist. ![]() At Corridor, we write, film, edit, and distribute over 1.5 hours of polished content each week to be released on our YouTube channels, Corridor and Corridor Crew, and our website, for an audience of over five million people. ![]()
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